Listening Singing Teacher gives you the time to learn aural skills at the pace you need. With Listening Singing Teacher you can sing and see how you can carry a tune. The display gives you feedback on your pitch, intensity and sustained duration. It also gives you hints on how you should count rhythm. Randall’s ESL Cyber Listening Lab has been providing online English listening comprehension activities for ESL and EFL learners since 1998. Visit his other Web sites at DailyESL.com, EZslang.com, and Trainyouraccent.com for more practice. Listening music teacher helps you to improve your listening skills that learn how to recognize triads and seventh chords. The software consists of two animated introductory lesson (see the. Listening-music-teacher will show you the relationship between our music system and nature. This relationship builds the foundation of the development of music: From stone age until today.
Lesson Plans
In the classroom, classical music can be an exciting learning tool. Music not only has the power to stimulate the mind, enrich the heart and soothe the soul; it can also help you meet educational objectives and learning outcomes.
The following Classics for Kids® lesson plans provide practical, effective activities for grades K-5 to help you teach the basics of music to your students. Portions of the lessons can also be used by classroom teachers. They are based on national and state standards, Gardner's Theory of Multiple Intelligences and Critical Thinking skills based on Bloom's Taxonomy. Each set of three lesson plans focuses on an individual classical music composer and a selected piece of music.
Here's are the lesson plans you'll find in this section:
- JOHANN SEBASTIAN BACH Brandenburg Concerto No. 2: Movement 1
- LUDWIG van BEETHOVEN Symphony No. 5 – first movement
- AARON COPLAND 'Hoedown', from Rodeo
- EDVARD GRIEG'In the Hall of the Mountain King', from Peer Gynt
- FRANZ JOSEF HAYDN Symphony No. 94 in C Major 'Surprise,' Second Movement
- GUSTAV HOLST ('Jupiter' from The Planets)
- ZOLTÁN KODÁLY 'Viennese Musical Clock' from the Háry János Suite
- WOLFGANG AMADEUS MOZART Variations on 'Ah, je dirais-vous maman'
- MODEST MUSSORGSKY 'Promenade' from Pictures at an Exhibition
- SERGEI PROKOFIEV ('Troika': from Lt. Kijé Suite)
- SERGEI PROKOFIEV (Peter and the Wolf)
- NIKOLAI RIMSKY-KORSAKOV Flight of the Bumblebee
- GIOACHINO ROSSINI 'Finale' from William Tell Overture
- ROBERT SCHUMANN 'The Happy Farmer' from Album for the Young
- IGOR STRAVINSKY 'Infernal Dance' from The Firebird
- ANTONIO VIVALDI 'Spring' from The Four Seasons
Teacher Listening To Students
The lesson plans were written by Dr. Kay Edwards, Professor and Chair of Music Education at Miami University in Oxford, OH. Dr. Edwards earned both a Master of Music and Doctor of Musical Arts in general music from Arizona State University, and a Bachelor of Music from Ohio University. She has been an active clinician and author in the areas of elementary general music, guided listening, and multicultural music education for more than 15 years at the university level and has 10 years experience as an elementary general music teacher. In addition to Orff Level III certification, she has special training in Kodály and Dalcroze pedagogies.
Get in on
Give it up
Come on give it all you got
--AC/DC
If someone were crazy enough to let me run a school and I had the privilege of interviewing teachers, my first question would be, 'What's your passion?' I almost stood and applauded when I heard Bruce Coville, children's author, croon those exact words. My smile went ear to ear. It was something deep down inside that said, 'Thank you, Bruce.' Passionate people move me. The energy, the excitement, and the love push me to become a better human.
'What's your passion?' Imagine that in an interview. Would you be afraid to answer? Could you answer? Did your college training prepare you for that question? When teachers are separated from curriculum development you remove the 'thinking from implementation and the model of the teacher becomes that of a technician or white-collar clerk.' (Henry Giroux) If 'experts' continue to bash the humanity out of teaching, how on Earth will teachers teach? The dead honest truth is that inspiring people in the world, the best teachers out there really, are passionate about life. And no matter what the topic, they move people to better themselves in some way.
I torrent free download for mac. Edward Berman states that current reformists have 'dropped the rhetoric about school as a vehicle for personal betterment.' If we're not inspiring kids to search for their own truth why are we teaching?
Listening Music Teacher Job
This is a call for all teachers to bring the heart and soul back to the classroom. However, to do so they must first answer a very difficult question, 'a moral as well as a practical question,' posted by the most famous critical gunslinger out there, Alfie Kohn: Will teachers 'treat students the way they, themselves, are being treated . . . or the way they wish they were being treated?'
Listening Teaching
Music in the Classroom
I've been listening to music for most of my life and playing it for quite some time. It's my best friend, my co-pilot, and my bedtime story. It's always there to shake up my bones or serenade me into sleepy daze. Music pumps feelings through my veins and clicks the switch on the mind's eye's projector. It conjures up images of people, scenes, landscape, and, if the tune is really rockin', transports me to far away places. As a kid, I was always up on that stage with Gene Simmons breathing fire and spitting blood or rolling around on two Jaguars (cars) in that White Snake video (come on, you did too). It's just the way I'm wired. Music always helps me to visualize and dream big.
My ten years of teaching have taught me many things about how kids interact with music. Some of my lessons failed miserably because of one major flaw: the wrong music. I've done the leg work for ya' so listen closely.
Tip #1 If you are using music for a lesson it almost always has to be instrumental unless you are directly engaging the lyrics. Little guys and gals just can't get over the artist's voice. I've asked them many times and the most common answer of all is.. 'It sounds funny.' Hey, kids are kids.
Tip #2 Meet them half way. You can't put on some dusty old music and expect them to pump their fists and bob their heads. Classical music is awesome, but the kids need a variety of instrumental music to keep them interested. I've discovered some awesome artists searching for rockin' instrumentals. Here's a short list to get you started.
- Tea Leaf Green --The Jam Band
- Tim Reynolds -- The Guitar Genius
- Caryn Lin -- Electric Violin
- Bela Fleck and the Flecktones -- Grassroots
Or, by all means, write and record your own.
You've got the music, now rock the lesson
I begin this lesson by showing John Williams and his musicians performing the Jaws theme in the studio (from my extended version of Jaws, of course). Watching a composer lead his orchestra while the movie plays on a huge screen is completely magical. Music tells so many stories. It's quite a gift to be able to write the musical story that matches the passion and energy of the actors all while enhancing the themes and the feelings of the scene. Just amazing. I want my students to use their mind's eye so I reverse the roles. Instead of writing music to the story, I want my students to write a story, a thought, a scene, or a list to the music. I usually spin six to eight partial tunes (about a minute) during each session. This takes practice and patience so if you get blank stares at first don't stress. Be happy, you're listening to music, remember?
In the end, your students will have a list of story nuggets or seeds or whatever you choose to call them. You will have fed the musical spirits, opened the eyes of the nonmusical, and perhaps even kindled a flame.